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CPOP

Pop Culture Group Co., Ltd

CPOP

Pop Culture Group Co., Ltd NASDAQ
$0.44 -2.93% (-0.01)

Market Cap $6.23 M
52w High $2.61
52w Low $0.39
Dividend Yield 0%
P/E -0.9
Volume 132
Outstanding Shares 14.14M

Income Statement

Period Revenue Operating Expense Net Income Net Profit Margin Earnings Per Share EBITDA
Q2-2025 $41.813M $-1.015M $2.541M 6.076% $0.21 $2.875M
Q4-2024 $23.373M $7.153M $-10.042M -42.963% $-3.35 $-9.951M
Q2-2024 $24.008M $4.171M $-2.365M -9.852% $-0.97 $-1.87M
Q4-2023 $7.287M $18.511M $-19.616M -269.175% $-0.816 $-18.549M
Q2-2023 $11.256M $2.249M $-4.714M -41.884% $-0.196 $-4.147M

Balance Statement

Period Cash & Short-term Total Assets Total Liabilities Total Equity
Q2-2025 $1.927M $98.202M $69.355M $28.814M
Q4-2024 $1.116M $42.235M $26.91M $15.309M
Q2-2024 $3.11M $41.206M $17.281M $24.604M
Q4-2023 $3.637M $39.045M $12.867M $26.735M
Q2-2023 $3.863M $61.166M $13.79M $47.155M

Cash Flow Statement

Period Net Income Cash From Operations Cash From Investing Cash From Financing Net Change Free Cash Flow
Q2-2025 $2.541M $265.459K $-9.345M $9.909M $810.755K $252.83K
Q4-2024 $-10.042M $-3.83M $-120.208K $3.264M $-1.457M $-3.83M
Q2-2024 $-2.365M $-586.093K $-552.605K $110.067K $-1.063M $-602.864K
Q4-2023 $-19.616M $-175.279K $1.291M $-113.277K $1.592M $-78.932K
Q2-2023 $-4.714M $-5.787M $-7.457M $796.554K $-13.237M $-11.107M

Five-Year Company Overview

Income Statement

Income Statement Revenue remains very small and has not grown meaningfully over the last few years. Gross profit is close to break‑even, and recent years show small operating and net losses rather than consistent profits. The shift from a slight profit earlier to losses more recently suggests pressure on the core business and limited pricing power. Overall, the income statement points to a fragile, early‑stage or niche operation rather than a scaled, mature entertainment company.


Balance Sheet

Balance Sheet The company runs with a modest asset base and a thin equity cushion, which limits its ability to absorb shocks. Debt has been present but not heavily increased, yet the combination of low cash and shrinking equity highlights financial vulnerability. There is little room for major missteps or large, long‑term investments without new funding. In simple terms, the balance sheet looks light and somewhat stretched for a company trying to reinvent itself.


Cash Flow

Cash Flow Operating cash flow has been consistently negative in recent years, meaning the business is consuming cash rather than generating it. Free cash flow mirrors this pattern, as there is little in the way of capital spending but also no underlying cash engine yet. This indicates a need for ongoing external financing or a significant improvement in operations to sustain the current strategy. Cash generation is clearly a key risk area.


Competitive Edge

Competitive Edge Pop Culture Group sits in a narrow hip‑hop niche within China, which gives it some cultural focus and brand identity but also limits scale. Its proprietary event formats and media content offer some differentiation versus generic event organizers. However, the broader entertainment market is highly competitive, with larger, better‑funded rivals, and the company’s tiny financial footprint weakens its bargaining power. Success will depend on turning its niche brand and IP into repeatable, monetizable platforms rather than one‑off events.


Innovation and R&D

Innovation and R&D The company is pursuing ambitious initiatives in Web3, cryptocurrency, and AI‑enabled marketing, including a planned crypto investment fund and blockchain‑based entertainment tools. It is also exploring SaaS products for the street dance community and “smart digital” marketing services. Conceptually, this is a creative, tech‑forward direction that could diversify revenue beyond live events. The main concern is execution: these projects are capital‑ and talent‑intensive, while the company’s financial resources and track record in advanced tech are limited, making outcomes highly uncertain.


Summary

Pop Culture Group is a very small, niche entertainment company trying to transform itself into a tech‑enabled, Web3‑driven platform while its traditional business remains weak and only marginally profitable at best. The financial statements show thin margins, recurring losses, negative cash flow, and a light balance sheet, all of which point to high business risk. On the positive side, the firm has carved out a recognizable position in Chinese hip‑hop culture and is experimenting with blockchain, crypto, and SaaS solutions that, if executed well, could open new revenue streams. Overall, this is a high‑uncertainty story: strong narrative and innovation ambition set against modest scale, limited resources, and an unproven ability to turn bold ideas into durable, cash‑generating businesses.